The Internet Broke Us

[00:00:13] Speaker A: Oh, hey lads, we're back. Another one. [00:00:17] Speaker B: Hello. Bloody cold in Bedford. [00:00:19] Speaker C: Yeah, good evening to you both. [00:00:22] Speaker A: Yeah, good evening. I've got the heater on, everything. I've got it cranking over here. [00:00:26] Speaker B: Ah, isn't it amazing? A few weeks ago we were steaming our boxes off and now it's almost double dinner time. [00:00:33] Speaker D: Yeah, yeah, yeah. [00:00:35] Speaker C: Tempted to go for a swim this afternoon? [00:00:39] Speaker B: Yeah, you bugger your bugger. You've got a public holiday over there in quick Queensland. I didn't find. Yeah, well, because we're an Australia wide company and we occasionally tried to contact other companies, you know, it's like public holiday in Queensland, don't bother phoning. [00:00:59] Speaker C: Yeah, so what did you actually had to remind Beck last night? I said, honey, can you remind me? I didn't need reminding. So that's a good thing. Can remind me that we've got a podcast. Right, because tomorrow is completely. It's a Sunday for me tomorrow, even though it's not. [00:01:16] Speaker D: Yeah, so. [00:01:16] Speaker C: But I'm here and good to be here. [00:01:19] Speaker A: Nice, we're all here. [00:01:20] Speaker D: Yeah. [00:01:21] Speaker B: Nice t shirt. [00:01:22] Speaker D: Yeah. [00:01:24] Speaker A: Should be a blue one. [00:01:32] Speaker C: Taking the piss or not. You never know. [00:01:34] Speaker A: Yeah, yeah, he's always taking the piece out of something. [00:01:38] Speaker B: Now this podcast should be called, um, called those three buggers are drunk. [00:01:43] Speaker A: Yeah, well, we've got it. When. If, um, unfortunately Brandon couldn't make it tonight, I was going to put on a double pair of Joel jocks or two pairs of old jocks, but I. [00:01:55] Speaker C: Think he might be with us in the coming weeks. I did touch base with him. We won't go into it. I did touch base with him after the, the message came through just to check on him. Mate. He's just dealing with a few things, but I shouldn't imagine he'd be on. He should be on here in the next couple of weeks. [00:02:12] Speaker A: Oh, cool, cool, cool. [00:02:13] Speaker D: That's good. [00:02:13] Speaker B: Actually, it's a shame because I wanted to have a chat to him back to his legendary parties. [00:02:19] Speaker A: Yeah, I wanted to talk to him too, because he is the DJ. That was the DJ that I, sir, like work for at liquids that I did 90% of his djing. [00:02:31] Speaker C: I see. You'd know Barb as well. [00:02:33] Speaker A: Yeah, yeah, because I want to. I'm gonna, I'm gonna put it out there. [00:02:37] Speaker C: Right. [00:02:37] Speaker A: When we first started this, how bad it was, liquids only had 450 people through the door a night. And then they asked if I wanted to come and dj with them and I said, yep. And I took another guy with me. His name was Alex. We were djing. Then we'd start the night, and Brandon would come in and do the middle part, and then we would finish the night. And we used to get paid. We used to have to do it Thursday, Friday, and Saturday nights. And the amount of money we got paid was pittance was nothing. [00:03:09] Speaker C: Bucks or something for memory. [00:03:10] Speaker A: Is that right? It's $200 for the week. [00:03:13] Speaker D: Right. [00:03:14] Speaker A: And then the promise was if we built the crowd up, we would get a button, would get a pay rise, it would go up as the crowd build up, and we have the place full to capacity within eight weeks. And never got. Never got the payroll, never got any extra money. [00:03:31] Speaker B: Oh, that's. That's. They always. They promise a lot and deliver. [00:03:36] Speaker A: Now, that was Brandon. [00:03:39] Speaker B: Yeah, but he. [00:03:42] Speaker A: He was the one who made you. He was the one who. He's the one who hired me. [00:03:45] Speaker B: Yeah, but he would have had people above him, and they. They would have failed. [00:03:49] Speaker A: You know, I want me money guarantee. [00:03:51] Speaker D: Yeah. [00:03:52] Speaker A: I want me money. [00:03:54] Speaker C: Okay, well, let's. Maybe. Maybe four or five weeks, because he might be mentally okay in two. If you're going to hit him with this, let's go. Five. He'll be on emotional service league before he starts. [00:04:05] Speaker D: Yeah, yeah, yeah. [00:04:07] Speaker B: So I have to say, though, you guys were working at a huge disadvantage when liquids first opened. It was this big concrete echo chamber. [00:04:16] Speaker D: Yeah. [00:04:17] Speaker B: And they. Just to put it in context, when they did the refrigerator, the lizard rig, they actually had delays on the sound, and they measured where the echoes would be in all the places, and they put delays on the sound. So when you were out in the beer garden, you didn't hear an echo. Yeah, because by the sound. By the time the sound got out there, the beat was getting there, whereas liquids did it on the cheap. It was all concrete. They had really cheap sat. Sorry, Paul. Sorry to do this year, but they had really cheap sound, really cheap, intelligent lights. And you guys. Yeah, you were. You were pushing it uphill. [00:04:55] Speaker A: Those lights were from italian. They were imported from Italy. [00:05:00] Speaker B: Yeah, they were Martin lights. So they. With cheap shit. [00:05:02] Speaker A: No, I don't think I'm Martin, though. So, um. [00:05:05] Speaker B: No, no, sorry. We had martins. We had the expensive ones with these. [00:05:10] Speaker A: Big, giant laser things, or DMX controlled, coming back to a computer that no one knew how to program. So I reprogrammed. [00:05:18] Speaker B: Yeah, intelligent lights. But, um, the. Well, it just wasn't a good space for audio. [00:05:27] Speaker C: That place was always cold. It was always cold. [00:05:30] Speaker B: Cold and echoey and horrible, you know? So you guys were like Rowan rowing up ship creek in a barbed wire. [00:05:38] Speaker A: Well, we got. We got it. I had places packed by the time they did. [00:05:41] Speaker C: And did. They had the whole monopoly when Kevin Mann pulled out of the nightclub scene. [00:05:47] Speaker D: Yeah. [00:05:49] Speaker A: Whatever happened to him? [00:05:52] Speaker C: I don't know. We had him on. No, I don't know. We. Either that or we pissed him off. Remember? You mean Johnny Allen? [00:06:00] Speaker D: We. [00:06:00] Speaker C: We got. We got him on Facebook. [00:06:03] Speaker D: Just. [00:06:04] Speaker C: Just a quick, you know, pm chat. Oh, mate. We go five, six years ago. So he's either. We've either pissed him off. [00:06:09] Speaker D: Yeah. [00:06:10] Speaker C: Or he's. He's not with us anymore. [00:06:12] Speaker D: Yeah. [00:06:13] Speaker A: No, I haven't seen him for years. [00:06:16] Speaker B: Strange thing for Kevin. [00:06:18] Speaker C: He was early seventies, I think he is now. Early mid seventies. [00:06:23] Speaker D: Yeah. Yeah. [00:06:24] Speaker B: But, um, I actually always got on well with him, but he treated some people very badly, including my nephew. [00:06:30] Speaker D: Yeah. [00:06:31] Speaker B: You know, which. Which I. And it was really weird because I always got on very well with him. [00:06:36] Speaker D: Yeah. [00:06:36] Speaker B: But I could also say, yeah, he was a very bad man. He was a very bad and selfish man. [00:06:42] Speaker D: Yeah. [00:06:43] Speaker A: Most people are in strip clubs. [00:06:46] Speaker D: Yeah. [00:06:46] Speaker C: Yeah, I got on well with him, but, yeah, probably the. The worst thing I did was get on his payroll. He kind of. He kind of owned you a little bit then. [00:06:55] Speaker D: Yeah. [00:06:55] Speaker A: Well, I was getting paid cash at Zelda's when I was working at Zelda's. I've got more dirt, liquids. And he said to me one night, I was djing there one night, and I'm seeing there one night, and I put a song on, and he didn't know it, but it was a pretty good song. And he threatened to fire me on the spot if I didn't change the song. [00:07:15] Speaker C: Oh, really? [00:07:16] Speaker A: And all the crowd, everyone in the crowd going, what? You don't know this? They all like well behind me, supporting me. This is how I didn't get fired. But, yeah. [00:07:27] Speaker B: Yeah. [00:07:28] Speaker C: Bad man. Tough man. [00:07:29] Speaker D: Yeah. [00:07:30] Speaker C: Had he had his fingers. A lot of pies. [00:07:32] Speaker D: Yep. Yeah. [00:07:34] Speaker B: Including the burger joint across the road. [00:07:37] Speaker C: Yeah. Pardon the pun. [00:07:40] Speaker B: What's the name of that place? [00:07:44] Speaker C: The big beef Burger bar. [00:07:46] Speaker B: Big beef burger bar. Big beefy burger bar. [00:07:50] Speaker C: And that was run by Casey. [00:07:55] Speaker B: Yes. His missus. And do you remember Daryl de wheels down on the beach front at the podium there? Oh, because Sydney's got its famous darrells. [00:08:04] Speaker A: No, it's Harry's Cafe de wheel. Harry's Cafe de wheels. [00:08:06] Speaker B: Harry's Cafe de wheels. That's right. The famous one is Darrell's Cafe de. [00:08:13] Speaker A: Wheels in Sydney, but Harry's isn't. Harry's in Kings Cross, down by the navy base. Yeah, no, Harry's. [00:08:22] Speaker D: Harry's cafe. [00:08:22] Speaker A: The wheels. [00:08:23] Speaker B: Harry's. Oh, so he ripped off the name as well? [00:08:26] Speaker D: Yeah, because. [00:08:27] Speaker A: Yeah, yeah. [00:08:30] Speaker D: Who was it? [00:08:31] Speaker A: Is it Peter Blakely who sung crying in the chapel? [00:08:36] Speaker B: Yeah. Peter Blakely. [00:08:37] Speaker D: Yeah. [00:08:38] Speaker A: His album was carries Cafe de Wheels, which was the photo of the original cafe, which was a van right outside the navy base at warmer Loop. Then you got a more permanent venue a few years later. [00:08:51] Speaker C: Is that. Is that. Is that the. The cafe that Cole chisel breakfast at sweethearts? Is that where that's based? [00:08:57] Speaker A: I never thought Sweethearts was in Cabermatter. [00:09:01] Speaker C: Yeah, I didn't know that was a. I didn't know that was the actual name of the cafe. [00:09:06] Speaker D: Yeah. [00:09:06] Speaker C: I just knew it was about a famous cafe. So you're talking about that. [00:09:10] Speaker A: So sweethearts was a nightclub. [00:09:13] Speaker C: Oh, was it? [00:09:14] Speaker A: Yeah, in cabermatter. I'm pretty sure it's in Cabermatter. Sweethearts was a nightclub in Cabermatter. And that's what the breakfast was. You know, coming out of there is the lights come after a late night. [00:09:24] Speaker C: Like the chasers days for us boys. [00:09:26] Speaker D: Yeah. Yeah. [00:09:29] Speaker B: Well, do you remember. I mean, you guys remember pizza paradise, John's place next door? [00:09:36] Speaker D: Yeah. Yeah. [00:09:39] Speaker C: Didn't I sell it to that kebab place? [00:09:41] Speaker A: Yeah. [00:09:43] Speaker B: Next to it, but, yeah, a friend of mine, I was friends with him and his daughter and. Yeah, he just made the best pizzas. [00:09:51] Speaker D: Yeah. [00:09:54] Speaker A: Kebabs. Kebabs. [00:10:00] Speaker B: Back then. [00:10:01] Speaker C: What's the. What's the nightlife in Rockingham now? So they don't have liquids. Is there. Is there a nightclub? [00:10:08] Speaker D: Yeah. [00:10:08] Speaker C: Well, they still have. [00:10:10] Speaker A: They have the barley bar, which is. [00:10:12] Speaker C: I didn't even know. [00:10:13] Speaker A: That's the old knight. It's the old liquid, old leisure in club bar. It's got the DJ box. [00:10:21] Speaker D: It's still there. [00:10:21] Speaker A: But they have. They only have bands there every now and again. They don't have DJ's or anything. And then where quite a room or chasers is, was. That's now encore. And that's a live, live venue where bands go. They have stand up comedy and things like that. [00:10:40] Speaker C: So upstairs where chases was. Yeah, yeah, that's right. Because I think there's a couple of. Yeah, that was recently. [00:10:47] Speaker D: Yep. [00:10:48] Speaker C: Maybe December. It opened. [00:10:49] Speaker D: Yeah. [00:10:49] Speaker A: Matt, Matt, Matt. I can't remember. [00:10:52] Speaker C: Yes, I read that story and all the lighting is all rainbow fluoro lighting everywhere it looked. It looked amazing. [00:10:58] Speaker D: Yes. [00:10:58] Speaker A: All the neon. [00:10:59] Speaker C: Invested one or 2 million. And it's huge. [00:11:01] Speaker A: Yes, I've got a few. I went there to see, um, cav tempolay from Eskimo Joe perform there. And, um, we were lucky. We were lucky we got an opportunity to sit in the more, um, private seating. And obviously we're there to do a review for Caf template. But they're making. They've made a lot. They might. I don't want talking down about the place because it's what they're doing a good thing for the music industry and things, but they make a lot of rookie mistakes. [00:11:33] Speaker C: Yeah. Right. [00:11:34] Speaker A: They put the sound. The sound guy in, the DJ guy, um, right in the back corner. He's not even in front of the stage. No, any stage. [00:11:43] Speaker B: No, no, you can't do that. [00:11:45] Speaker A: Yeah, he is. Um, the. [00:11:50] Speaker D: This, the. [00:11:53] Speaker A: There's only the 1 bar in there. It's obviously, they've reduced the size of the bar. They've put the band that. You know where the old booth used to be, the dark, little dark booth area. Not near the DJ box, but there's a little booth area. [00:12:08] Speaker D: Have you locked up? [00:12:11] Speaker A: What's going on? [00:12:12] Speaker D: Is it. [00:12:12] Speaker A: I've lost years. I've lost years. Come back, come back. [00:12:21] Speaker D: Come back, Jack. Come back. [00:12:28] Speaker A: Are you there? We're still recording. We're still recording. Come back, come back, Jack. There's room for you on the door when you guys come back. I'm gonna have a drink. Me drink. Unless the Internet's dropped out, I don't think the Internet's dropped out. Hopefully hasn't dropped out. I think the Internet's dropped out. [00:12:53] Speaker D: Ah. [00:12:59] Speaker C: We were up to chases. Yeah. Encore. [00:13:02] Speaker D: Encore. [00:13:02] Speaker A: Yeah, we're back. Had a bit of an Internet dropout. We don't know why. Sometimes it does it. Technology in Australia is amazing. [00:13:09] Speaker D: Yeah. Yes. [00:13:11] Speaker A: I went. We went and saw Caf Temple there. Um, and they've got some really expensive wines on their wine list. The bar is very small. The DJ box is in a real bad spot. Um, and the stage. Remember where the little booth used to be with a horseshoe chair? See, that's where the stage is now, where the DJ box was. That's now all seating. Um, and they haven't taught their security staff not to walk through the middle of an empty dance floor and in front of a stage. That's got it. [00:13:45] Speaker C: Somehow you don't do that. [00:13:46] Speaker D: Yeah. [00:13:47] Speaker A: They've not taught the security staff how to be security staff. They've just got big, big Maori's, Kiwi fellas in there trying to look scary. And places. [00:13:58] Speaker C: Always had Kiwis. [00:13:59] Speaker A: Yeah, there's not so bad. They make good security guards and scaffolders. [00:14:03] Speaker D: But. [00:14:08] Speaker A: They'Re there for, you know, to protect the business and protect the patrons. And they, you know, they're well dressed and they're in a polite, they just haven't been taught how to walk around the nightclub and well, this is, this. [00:14:18] Speaker C: Is the security company's problem. That one. [00:14:20] Speaker D: Yeah. [00:14:20] Speaker A: And the manager, yeah, the manager does the same thing. She just walks around with a camera and walks through the crowd in front of the stage taking TikToks and things. It's not, you shouldn't be seen unless you're a hostess or a hostie, then be seen, but don't agree. [00:14:37] Speaker C: Great. [00:14:37] Speaker A: Don't, don't get interact with the crowd. But, but it's a nice venue. They've done it, they've done it pretty nice. And I think it's, um, I think it's up class. Up like a upper level of class for Rockingham. [00:14:48] Speaker D: So. [00:14:49] Speaker A: And it's, and they're marketing to an older, older age group too. They're not marketing to young hooligans. Not all young people. Horgan's, but you know what I mean? [00:14:58] Speaker C: And do you think it'll, do you think it's got merit? Do you think it'll be there for a while or you think it could be a. Five or nine year chasers was there for forever. Today it's changed its name. [00:15:09] Speaker A: I think it's going to depend on the cost of living. Crises that we're in. [00:15:13] Speaker D: Yeah. [00:15:14] Speaker A: Obviously, for a club to survive, they need to make sales. Liquor sales. To make liquor sales, I need to have good entertainment. And if they're playing r and B, they've got, they promote R and B DJ's in between the sets and the bands. And people who listen to r and B music don't drink. [00:15:33] Speaker B: Can I actually say something that I felt was very important when you're, when you're a suburban DJ? [00:15:42] Speaker D: Yeah. [00:15:44] Speaker B: And I feel that I do have something I can speak to you because I was a very successful suburban DJ. But at the end of the day, a suburban DJ should be playing what's on the radio. [00:15:57] Speaker D: Correct. [00:15:57] Speaker B: What's popular now? R and B is quite popular now. It has been for a number of years. But it's not the be all to end all. [00:16:04] Speaker A: It's not dance. [00:16:05] Speaker B: Suburban DJ should be playing dance stuff off the radio. And it doesn't matter if the DJ thinks it's rubbish, you know, it's what's going to get people down. Yes, exactly. This sort of stuff. That's what suburban DJ should be playing. That's how you get people on the dance hall. And we've discussed it before. Getting people. Getting girls on the dance floor. Gets guys to come into your club. [00:16:29] Speaker A: And spend the money. [00:16:31] Speaker D: Yep. [00:16:32] Speaker B: Suburban DJ should be playing top 40. [00:16:35] Speaker D: Yeah. [00:16:36] Speaker B: And old classics. [00:16:37] Speaker D: Yeah. [00:16:38] Speaker B: But I. Having said that, Paul, I love this song. This is a really, really great, great song to beat mix. [00:16:44] Speaker D: Yeah. [00:16:45] Speaker A: Santa Maria. [00:16:47] Speaker B: Santa Maria. [00:16:48] Speaker D: Yeah. Yeah. [00:16:50] Speaker A: Wasn't she. [00:16:50] Speaker C: And the other thing I. She looks like it. The other thing I. And I've always said this, even to Kevin Mann, is, unfortunately, Rockingham doesn't have anything for it to go by to support it externally. [00:17:01] Speaker D: No. [00:17:02] Speaker C: So it's always had a bad name for 30 plus years. [00:17:05] Speaker D: Yep. [00:17:05] Speaker C: But encore, I believe I've never been there. Don't even know the place. But for it to work, it's gonna have to have some external infrastructure to help it. [00:17:14] Speaker D: Yeah. [00:17:14] Speaker C: Bring the people in there as opposed to just a great pizza bar. [00:17:17] Speaker D: Nah. [00:17:18] Speaker A: Yeah, there's nothing. [00:17:20] Speaker C: Nothing. [00:17:21] Speaker A: The council in Rockham are old and they don't. [00:17:24] Speaker C: They're old school. Yeah. [00:17:26] Speaker A: And then you've got bow diverses booming and big. So they got places in bow divers. [00:17:31] Speaker C: They got a lot of competition now. [00:17:32] Speaker D: Yep. [00:17:33] Speaker C: A lot of competition. [00:17:35] Speaker B: I remember after the leisure weekend, did their first big refit and I actually. I did not realize that. And, you know, we were like. If we had less than 800 people on the Thursday night, we were having a poor night. [00:17:47] Speaker D: Yeah. [00:17:49] Speaker B: But I actually found out I met some people. Well, Trina. You remember Trina Brett? [00:17:57] Speaker D: Yeah. [00:17:57] Speaker B: She come on a Thursday night and she was from beach bar. It was only. It wasn't until I moved up this way that I discovered where the hell be Beachboro was. It's a fucking million miles away from Rockingham. But this girl down on a Thursday night, you know. [00:18:16] Speaker C: You know, before they moved in together. Correct. [00:18:18] Speaker A: We're gonna do some commentary on this song before we get another copyright hit. This is going back 95, I think. 94. 95. [00:18:26] Speaker B: Yeah. I've actually done a big beat mix, which I call the work in progress. And this is one of the songs I slotted. It is a great dance track. It really is. It ticks all the boxes. [00:18:37] Speaker D: Yeah. [00:18:38] Speaker C: It's a good track. I can see and feel emerging in other songs. It's a good track for that. [00:18:42] Speaker B: Oh, yeah. Definitely good beat. [00:18:45] Speaker C: It's got a column and oak feel about the actual beat. [00:18:48] Speaker D: Yeah. [00:18:48] Speaker B: Be about 120 beats a minute, you think, Paul? [00:18:52] Speaker A: Yeah. I'm not looking at the beats per minute count, but I'm just looking at you. [00:18:57] Speaker C: That sounds like my gym rate, but we'll go with that. I didn't want to say anything, but. [00:19:04] Speaker D: I think you got it. [00:19:05] Speaker C: You do edit this. [00:19:10] Speaker A: Do you want the next song? You'll probably like this one as well. [00:19:13] Speaker B: I'll tell you what. I'll tell you what. I will give you $0.50 if you got. Pleased to meet you. Yes. This was. This was coming to the period where, you know how I've said when I started dj that I was, like, playing only the music I like? [00:19:29] Speaker D: Yeah. [00:19:29] Speaker B: This is getting to the stage where I was just playing music that I knew worked. And this one worked. [00:19:35] Speaker D: Yeah. [00:19:35] Speaker A: I remember Talbot and myself in the DJ box playing this one night, and we were just doing stupid dance moves to it. [00:19:46] Speaker B: Playing this song. [00:19:47] Speaker A: No, I was playing it, but he was there. I was playing it. He was there. [00:19:51] Speaker D: Yeah. [00:19:52] Speaker C: This one. [00:19:53] Speaker D: Yeah. [00:19:53] Speaker A: Another good one. I didn't think you guys would like some beauties. [00:19:58] Speaker B: Coming up. We details, Paul. We know what works. We don't necessarily like them, but we know what works. [00:20:05] Speaker A: Okay, I got three more. [00:20:06] Speaker D: Really? [00:20:07] Speaker A: I'm ding is coming up, please. [00:20:14] Speaker D: Yep. [00:20:15] Speaker C: I should know that it's hour away. [00:20:16] Speaker D: From where I live. [00:20:17] Speaker A: Yeah, showbiz. Showbiz video. That's what, wasn't it, the old VJ system of showbiz? [00:20:22] Speaker B: Um, yeah, it was when after our rebit refit. Uh, yeah, we had. It was all showbiz videos. [00:20:28] Speaker D: Yeah. There you go. [00:20:30] Speaker B: Paid a squillion full. [00:20:32] Speaker A: Yeah. [00:20:33] Speaker D: Yeah. [00:20:33] Speaker A: But they were good, so that was dream world. Just like that. [00:20:38] Speaker D: Yeah. So, yeah. [00:20:39] Speaker A: Well, hopefully encore does do well, but when I went to liquids the other night, I saw 360. Excuse me. Hip hop artist and. Oh, God, it was. They've forgotten how to put service in that place. Hey, took half an hour to get a drink, huh? [00:20:58] Speaker C: Five years ago. [00:20:59] Speaker A: Nah, it took half an hour in. [00:21:01] Speaker C: The car park or something. [00:21:02] Speaker A: Don't know. But it took half an hour to get a drink. They had no air conditioning on. It was sweltering in there. And I kid you not, the drinks. I was drinking the cc and dry, and they duck out the back. They didn't even go to the fridge to get a cc and dry. They brought out a cc and dry straight out the. [00:21:20] Speaker C: Not even in the free drawer on us. No. [00:21:23] Speaker A: Took it out the floor at the four pack, untook the lid off. And there's the cc and dry as well. [00:21:27] Speaker C: Oh, no. [00:21:29] Speaker A: People were packed in there. There was no air con in there. They were sweating. Even the 360 himself was saying how hot it was, and he was on the stage. [00:21:36] Speaker C: Well, that's weird, because that service is shit. No, what you've just said is also true of shit. It's selling something. If the place is packed. I don't know what it was. [00:21:45] Speaker A: Only because 360 was there. All the tickets was sold before 360. He's doing his own regional hip hop rap talk. He's a rap artist, so he's doing. Tickets are sold way ahead of time. [00:21:58] Speaker C: Might be worth his pop. If you've got a waste of time. [00:22:02] Speaker A: I have spoken to him, and I'll tell you what. The new manage, the manager who was in there on that night, because I told him all about, you know, pop rock radio, and I told him about a few other things and bits and pieces we tried doing, and they've got no interest in doing anything. It's all run from Melbourne. [00:22:20] Speaker B: Oh, is it really? [00:22:21] Speaker A: Yeah, it's all run by one of the big hotel groups. [00:22:25] Speaker D: Yeah, yeah. [00:22:27] Speaker A: There's a big thumbs up come up on the screen. [00:22:29] Speaker C: Yeah, I saw that earlier as well. Where's that come from? [00:22:33] Speaker A: I must be giving thumbs up to people. There's another one there. [00:22:41] Speaker C: Yeah. [00:22:42] Speaker B: It's got to be Brad. [00:22:45] Speaker C: You know, technology. [00:22:47] Speaker D: Yeah. [00:22:47] Speaker A: It's not live. It will be recorded, but. Yeah, I'm freaking out, seeing all these little things popping up. [00:22:53] Speaker B: Yeah, it's not me. Trust me. [00:22:55] Speaker D: Guys. [00:22:55] Speaker C: Isn't that people watching YouTube and they're just pushing like. Yeah, we're. [00:22:58] Speaker A: No one's watching it. We're not live for recording it. [00:23:01] Speaker C: Sorry. Yes, you were not. We're not. No, I'm not touching shit, mate, except my glass. [00:23:04] Speaker D: Yeah. [00:23:05] Speaker A: So I'm waiting for the little love hearts to pop up. That will really. That will freak me right out. [00:23:10] Speaker C: When are we gonna go live? [00:23:12] Speaker A: Oh, we can go live anytime. Anytime we want to. [00:23:16] Speaker B: When I can sober up before I start a show. [00:23:20] Speaker A: That was number two. I'll get rid number two. You just want the third one. [00:23:25] Speaker B: Yeah, go for it. [00:23:26] Speaker A: Number three. Don't wet yourself. [00:23:31] Speaker B: So we're going heavy. Heavy nineties. Heavy nineties. [00:23:34] Speaker D: Yeah. [00:23:35] Speaker B: Oh, I know this film clip. [00:23:41] Speaker C: Love this song. [00:23:43] Speaker A: I picked three. [00:23:44] Speaker C: Really naughty song. [00:23:45] Speaker D: Yeah, yeah, yeah. You did. [00:23:48] Speaker B: You pick. You pick three dj bangers. [00:23:51] Speaker C: Yes, yes, yes. [00:23:53] Speaker A: Yeah. You've got to know who this band is already. Come on, you got to know. Ah, we spoke about him last week. [00:24:03] Speaker B: So it's what? Shazam. School bread. [00:24:06] Speaker C: Do you know who it is? [00:24:07] Speaker A: Yeah, I downloaded it. Entrance. Entrance? Yeah. [00:24:16] Speaker C: Entrance. [00:24:17] Speaker B: Yeah. [00:24:18] Speaker C: Did we speak about this last week? [00:24:20] Speaker B: Yeah, they did the rock shirt covers. [00:24:23] Speaker D: Yeah. [00:24:24] Speaker C: Yes. Do they think I'm sexy? [00:24:27] Speaker D: Yeah. [00:24:29] Speaker C: Which was a good. They did. Did they do a smokey? The Smokey remix from Alice? [00:24:36] Speaker A: We said we were talking about that song. That was mean. [00:24:38] Speaker D: Ellen. [00:24:38] Speaker A: We're talking about that. Two weeks ago, I think was. We're talking about Alice. Who the fuck is that? I mean, Alice. Alice living next door to Alice. [00:24:48] Speaker B: Um, no, it wasn't entrance. It was, um, basically, I think I spoke to you the story about. I'm trying to look up who actually did it. But, um, the guys from Smokey when they recorded the song. When. When Norman was singing the. The leading. The lead, the guys doing the backing vocals would just throw in there Alice. Who the fuck is Alice? And somebody actually found the tape. This is a story I've heard. [00:25:17] Speaker A: Yeah. [00:25:18] Speaker B: And somebody found the tape of that. It was an outtake from the original song. And somebody took that and went, we're gonna make a song out of this. [00:25:30] Speaker A: I don't think young people would appreciate this good music anymore. I'd hope they would. They'll be too busy drinking their waters. When I was djing it at, um, in Kalgoorlie, the nightclub there used to sell more water than alcohol. They made more money selling water. That was a joke. [00:25:57] Speaker D: Crazy. [00:25:58] Speaker A: Oh, this is good song. Anyway, is Alan frozen up again? Oh, no. What the hell? [00:26:16] Speaker D: All right. [00:26:17] Speaker A: What happened there? [00:26:20] Speaker D: We're just. [00:26:20] Speaker C: I'm just assuming it was you. [00:26:23] Speaker D: No. Yeah. [00:26:27] Speaker A: No, it wasn't. No, because we wouldn't be talking if it was me. [00:26:33] Speaker C: That's true. Looks like it was our might. How wants to get a dodo. But he's still a mannequin. [00:26:38] Speaker D: Yeah. Yeah. [00:26:39] Speaker C: He's still doing nothing. Yeah. [00:26:42] Speaker A: Recording anyone still. We're still recording it. So this is gonna get thrown in and we don't. [00:26:49] Speaker C: Send him a message. Is asking, is he in the toilet? Is he still there? [00:26:52] Speaker A: I'm gonna use. I've got to use that for a thumbnail. His picture of him looking up there. I did it on a few other video. On a few other videos. [00:26:59] Speaker D: Yeah. [00:27:01] Speaker A: Say you'll come back. [00:27:04] Speaker D: He's back. [00:27:06] Speaker A: Can we hear you? What? I don't know what the hell's going on. [00:27:10] Speaker D: Really. [00:27:10] Speaker A: I don't know. [00:27:12] Speaker C: Anything can happen on. [00:27:14] Speaker D: Yeah. [00:27:14] Speaker C: Jocks. [00:27:17] Speaker A: In a pair of jocks in. [00:27:19] Speaker C: A pair of jocks jocks are on special that woolworths half price with bombs. You know, I found out and. And you guys might already know this, so. So. Well, laugh at me with me. That the. The angel song. Um. [00:27:34] Speaker D: Yeah. [00:27:35] Speaker A: Am I ever gonna see your face again? [00:27:36] Speaker C: Yes. Did you know that? [00:27:38] Speaker D: That's. [00:27:38] Speaker C: That uh, no way. Get f. Off is, um, started in a country town in the middle of Queensland. Yeah, I never knew that until I hit the radio about five weeks ago. [00:27:50] Speaker D: Yep. [00:27:50] Speaker A: But you gotta, um. If you actually listen to the lyrics to the song, it's got nothing to do with telling someone the fuck off. [00:27:59] Speaker C: No, nothing's crowded in a bogan pub. [00:28:02] Speaker D: In the middle of. [00:28:02] Speaker C: But fuck, they're just gone. [00:28:04] Speaker D: No way. [00:28:04] Speaker A: Get off. [00:28:05] Speaker D: Yeah, yeah. [00:28:06] Speaker C: Drinking their bb's and away they go. And then bang. All of a sudden it's like Smokey, you know, who the hell is Alice? And that's how. That's how those little things start. [00:28:15] Speaker D: Yeah, yeah, yeah. [00:28:17] Speaker B: Am I unfrozen yet? [00:28:18] Speaker D: Yeah, you don't. [00:28:19] Speaker A: Frozen ages ago. [00:28:20] Speaker B: Yeah, yeah. [00:28:22] Speaker C: It tells about that for the triple B's, mate. Yeah. [00:28:26] Speaker B: Hey, I was talking to Paul about it a few weeks ago. That particular song. You know Brian Walker? No. Am I ever going to see your face again? Brian Walker banned me from playing that song for years. [00:28:40] Speaker D: Yeah. [00:28:40] Speaker B: You know, the leisure in, mate. You weren't allowed to go in with your shirt untucked and you weren't allowed to swear. [00:28:45] Speaker D: Yeah, yeah. [00:28:48] Speaker C: Girls or brines. [00:28:50] Speaker B: Brian's. [00:28:51] Speaker A: Oh, there was, there was something else about encore. They were saying that they had to be, um. You had to be dressed to a certain standard. But they were letting people in with shorts and singlets on as they dropped it already. They dropped it on the. I was on the first bloody one of the first nights. And what I hope they've just doing it because the crowd for Cav template was very small. And they're blaming on a fire along the freeway that stopped people getting up the freeway to free to Rockingham. But there's more than one road into Rockingham. So they could have come another way. When they're saying the road was blocked off as a load of coswell. I don't think they market there. I don't think they market their axe very well. But let's just make. [00:29:30] Speaker B: Actually, speaking of. Speaking of dress standards, I found out something very unusual in my last trip. You know, Brad, um, and Paul, you probably the same yourself. When you go to Bali, you wear thongs or sandals. [00:29:42] Speaker D: Yeah, I don't go. [00:29:44] Speaker B: And then, and then you go out and thongs or sandals and whatever. In Thailand, even in Jeongtiem down, down on the coast. [00:29:52] Speaker D: Yep. [00:29:53] Speaker B: Everybody go. Wears shoes at nighttime. Took me a while to get my head around it during the daytime. It's exactly like barley, you know. [00:30:02] Speaker C: Is that because you're supposed to or that's just the ethic thing to do. [00:30:07] Speaker B: It just seems to be the thing. [00:30:08] Speaker C: That everybody just does it. [00:30:10] Speaker B: Everybody wears bands or nikes or whatever. They don't. [00:30:15] Speaker C: It's good to know if we ever go to pack. [00:30:18] Speaker B: Oh, seriously. When the first night we went out and I'll get out my room at my door and I'm just wearing Bali gear for nighttime, you know, he just looked me up and down. I went wrong. And he went. Yeah, wrong. [00:30:33] Speaker C: Well, he didn't want to pre warn. [00:30:34] Speaker B: He was wearing shoes. Well, I don't think he thought to tell me, but, yeah, seriously, it's, um. Yeah, you get semi dressed up in Thailand. [00:30:44] Speaker D: Yeah. And they. [00:30:45] Speaker A: I thought they were trying to lift the image of Bali in Thailand and all around there making it, you know. [00:30:51] Speaker C: I don't think they'll ever lift that sort of image in, in Bali. Well, we're going there in three weeks, so I'll let you know. [00:30:59] Speaker D: Yep. [00:31:00] Speaker A: We had Tatiana with Santa Maria and we had Dreamwood moving up. We had entrance. We set you free. Can you guess what the next song is? It goes with entrance. [00:31:13] Speaker B: There's a lot that goes with those songs. I mean, there are 120 beats a minute. There's so much. Oh, love is all around. [00:31:22] Speaker D: Yeah, yeah. [00:31:24] Speaker A: DG Bobo. [00:31:27] Speaker C: Very, very quick. Al, I would have got it, but she's. Mate, you needed a breath of air. [00:31:32] Speaker D: Yeah. [00:31:32] Speaker C: It's like you and Paul have got it on text message. [00:31:35] Speaker A: No, I didn't. [00:31:37] Speaker D: I thought. [00:31:37] Speaker A: I didn't think he was gonna go for these songs. [00:31:39] Speaker C: I thought he was like that quick. [00:31:42] Speaker D: Yeah. [00:31:44] Speaker B: No, this is. This sort of stuff was how I earned my living for a long time. [00:31:48] Speaker D: Yeah. Yeah. [00:31:50] Speaker A: So how many. How many children do you reckon were conceived because you got for you, because of what you've been doing, what you did. Half the population of Rockingham with a single folks. [00:32:07] Speaker C: And I am cooling up my fifth grandchild last Tuesday. So, you know, it's doing well. [00:32:16] Speaker A: And do you know what cooling gump stands for? In aboriginal. [00:32:22] Speaker B: House seven up up means lake. [00:32:29] Speaker A: Wrong side of body of water. We're gonna get banned and all publicity is good publicity. [00:32:48] Speaker C: Look, if we're, you know, Terra jocks are known for this sort of publicity, mate. We're doing well. [00:32:52] Speaker D: Yeah, yeah. [00:32:54] Speaker A: We've got one more song after this one, I reckon. I don't think anyone, I reckon Al will get it since it comes on, but. [00:33:03] Speaker D: Yeah. Yeah. [00:33:04] Speaker C: So you guys are the. Those sort of DJ's I'm doing on the formal weddings ones. So it's a good quiz for me as well. [00:33:10] Speaker A: Yeah, I did um, I did a wedding once. [00:33:13] Speaker B: Well, this one's 140 beats a minute, so the beats are going up. [00:33:16] Speaker A: Yeah, I just um, play this one out and get rid of it. DJ Bobo love is all around. Drop it off there. Do you reckon you can guess the. This next one without actually seeing it could. What do you reckon it'd be? [00:33:33] Speaker D: Come on. [00:33:35] Speaker B: Do you think I'm fucking psychic or something? No film clip, no sound. [00:33:40] Speaker C: No sound. [00:33:41] Speaker A: Just have a. Just pull a song out. [00:33:42] Speaker C: Yeah. [00:33:43] Speaker B: Rolling Stone. [00:33:44] Speaker C: Rolling stones. [00:33:45] Speaker A: It's gotta be. Look at the theme. Look what we've been doing. [00:33:47] Speaker C: It won't be. [00:33:47] Speaker A: Rolling Stones dance disco. [00:33:50] Speaker D: Yeah. [00:33:51] Speaker C: No idea. [00:33:52] Speaker A: Al Love used to play this song all the time. Dream not t ream. [00:33:58] Speaker C: Don't you dare say that. [00:33:59] Speaker D: No. [00:34:11] Speaker C: Reggie, Reggie. Jason. Every morning just before chase shut the doors, mate, he'd put this one on and he'd always finish it with lovers. Lovers all around. [00:34:33] Speaker D: There you go. [00:34:39] Speaker C: I was going to say I wouldn't have a clue. He's singing, but I didn't know this. [00:34:42] Speaker D: Yeah, yeah. [00:34:44] Speaker A: As soon as it starts playing, boom, boom, boom everyone. [00:34:47] Speaker D: Yeah, yeah. [00:34:49] Speaker A: He's a go with the finger boys. We're going to be. [00:34:52] Speaker C: That's it. [00:34:56] Speaker D: Yes. [00:34:56] Speaker C: What was their other hit? That's the one that made it. [00:34:59] Speaker A: The vengebus. The venger bus is coming. [00:35:02] Speaker C: That's on. [00:35:02] Speaker D: Yep, yep. [00:35:04] Speaker C: Same time as Barbie came out. Barbie girl. [00:35:06] Speaker D: Yep. Yeah. [00:35:08] Speaker C: Or in the early nineties. [00:35:10] Speaker D: Yep. [00:35:10] Speaker A: You could almost do a whole night just playing the nineties era music and dance tracks. [00:35:19] Speaker C: People would go, well they're the private. [00:35:20] Speaker B: What I used to do in the nineties, Paul. [00:35:23] Speaker A: Yeah, I know, but you can do it now. [00:35:25] Speaker C: You could do it now. And that's why I love doing friends 40th, 50th or 30th, whatever year. You know you have those deck because they all love it. They all love the eighties era. And it's exactly what you just said. It's a 6 hours if it's an eighties marathon. [00:35:39] Speaker D: Yeah. [00:35:40] Speaker C: And it's that good at that time that you could probably get half pitched yourself because you just pushing play you know what songs then. [00:35:45] Speaker D: Yeah, yeah. [00:35:47] Speaker A: Not like talk about getting half pierced. What drinks are we drinking? We didn't, we haven't said on air. [00:35:53] Speaker B: Um, I'm on little creatures pale. [00:35:57] Speaker D: Yep. [00:35:58] Speaker A: Something different. [00:35:59] Speaker C: I'm on. [00:35:59] Speaker B: I like my pale ales. [00:36:01] Speaker C: Uzo. I'm on Anuzo and coke. [00:36:04] Speaker D: Yep. [00:36:05] Speaker A: And I got the mango with a golden fish fork. You're on Uzo mango gin. [00:36:09] Speaker C: So love us. Oh mate, you know that. [00:36:12] Speaker D: Yeah. [00:36:13] Speaker B: Paul's on gin. [00:36:14] Speaker D: Yeah, yeah, yeah. [00:36:16] Speaker A: Gotta get it down. [00:36:17] Speaker D: Yes. [00:36:18] Speaker A: Nice. [00:36:18] Speaker C: I love my. I love my uzo. Well, I'll be bringing back some gin from Judy. Free. Yeah, in a few weeks time. [00:36:26] Speaker A: No, we got a gin sort. We're part of a gin club. They send us in every month. [00:36:33] Speaker D: We're gonna hold. [00:36:33] Speaker C: I'm gonna get some. Some pink gin. I'm not sure what they're gonna do for me. You might have to do something on the Monday night, either with yourself or another job, because potentially maybe Brandon was Alan and I'll be in Bali. [00:36:48] Speaker A: Yeah, that's all right. You got an Internet connection? [00:36:51] Speaker C: Oh, that's an idea. [00:36:53] Speaker A: You sit at the bar. [00:36:55] Speaker C: Yeah, I never thought of that. [00:36:59] Speaker B: 530 west australian time. We'll just be dragging ourselves out of the pool, won't we? [00:37:04] Speaker A: Doesn't matter. You still got a phone? You can hold the phone up from the same time. Just don't drop it in the water. [00:37:08] Speaker B: No, no. We'll be down at Rob's bar watching the sunset. [00:37:12] Speaker A: Yeah. Drinking margaritas and holding hands and bin tanks. [00:37:18] Speaker B: Cold bin tungsten. [00:37:19] Speaker C: Getting prepared for start of origin at the Y bar on the Wednesday night. That's what we'll be doing. [00:37:23] Speaker B: Oh, yeah. [00:37:24] Speaker D: Yeah. [00:37:25] Speaker B: So we go. Actually, we've got a. For the first time in ages, we've got things planned. So we've got the barley beer cycle. [00:37:31] Speaker D: Yep. [00:37:32] Speaker C: The zooms. [00:37:34] Speaker B: Twice state of origins, twice the zoo. State of origin. Got a few things planned. [00:37:40] Speaker A: Hey, origin, how you doing? The state of origin. Are you gonna be together or. Yeah, involved. [00:37:48] Speaker B: There's a big bar around the corner from the hotel we stay at run by an australian rainbow. In Australia. It's just. Yeah, it's a big. Sports everywhere. [00:37:57] Speaker D: Yeah. [00:37:57] Speaker A: Oh, well, the blues are going to. [00:37:58] Speaker B: Win it this year. [00:37:59] Speaker A: The Blues have got it all over. [00:38:03] Speaker C: If they've got a chance at this one, I don't think they will. The only reason I say that, the only reason is I think next year they'll probably have a better chance. [00:38:11] Speaker D: Yeah. [00:38:12] Speaker C: Only because they got the new coach. Generally the new coach gives them a lot, but, hey, I don't go for the Blues. [00:38:17] Speaker A: New coach. [00:38:20] Speaker C: You've got me. [00:38:21] Speaker D: Yeah, he's on you. [00:38:23] Speaker C: Uh, you. He's off already. Yeah, you've got me on that one. Um, I'd never heard of him when they announced him. [00:38:29] Speaker D: Yep. [00:38:29] Speaker C: Um, state of origin, Queensland. Uh, sorry, New South Wales. I can't even type it. [00:38:35] Speaker D: Yeah. [00:38:36] Speaker B: So, Paul, you think, uh, New South Wales, the Blues are going to win. [00:38:40] Speaker A: The state of origin from New South Wales. So I'm definitely going to say that. [00:38:47] Speaker C: Sorry. Alright. [00:38:49] Speaker D: You should. [00:38:53] Speaker C: You should have picked on that one. Might start a way. [00:38:56] Speaker D: Yeah. [00:38:56] Speaker A: I grew up in New South Wales. [00:38:57] Speaker C: It's, yeah, fitness, uh, fit is not playing. What's his name? McGuire. [00:39:03] Speaker D: Yeah, someone. [00:39:04] Speaker C: Yeah, Mcguire. [00:39:05] Speaker A: Oh, he used to be the old, um, Tigers coach. [00:39:07] Speaker C: Yes, yes, yes. [00:39:09] Speaker D: Yeah. Yeah. [00:39:10] Speaker C: So he's now State of Origin. So I don't know. [00:39:13] Speaker B: I've never heard of a guy. [00:39:14] Speaker C: Wouldn't have a clue. I don't follow New South Wales rugby. I just follow the Broncos and the Dolphins. [00:39:18] Speaker D: Yeah. [00:39:18] Speaker C: Um, I don't know. But Billy Slaters in for Queensland coach. [00:39:25] Speaker D: Yep. [00:39:27] Speaker C: They got a couple of big injuries unfortunately over this weekend and futures. [00:39:31] Speaker A: Matt, South Wales. [00:39:34] Speaker C: But, but they've got a big one because. [00:39:44] Speaker A: You quiet. You went quiet. [00:39:47] Speaker C: Game one is in Sydney. [00:39:48] Speaker D: Yep. [00:39:49] Speaker C: No, yeah, game one is Sydney. Game two is the MCG. And they, they are probably 60 40. Queensland and Melbourne. Yeah, there'll be 96,000 there. And then going through the Suncorp, which I'll be going to. [00:40:02] Speaker D: Yeah. [00:40:03] Speaker C: So they've really got to do, they've got to win one of the first two if they're going to get a chance at. Don't talk to me about that. [00:40:14] Speaker B: Still on, Paul. [00:40:17] Speaker A: I know Al used to be big on the Super bowl as well. [00:40:22] Speaker B: Yeah, it's, it just never works some of the time because it's always in January. It's in the USA. [00:40:28] Speaker D: Yeah. [00:40:28] Speaker B: It's always hell early in the morning. And, you know, I've got a job. It used to be fine when I was a dj or when I was managing pubs. You know, I could always organize the Monday morning off, you know, to watch it. [00:40:42] Speaker D: Oh, I've got it. [00:40:43] Speaker B: Yeah. I haven't managed to watch the Super bowl for the longest time. [00:40:47] Speaker A: You just do that for, you just talk there for a minute. You just talk to each other. I'm just doing something. I'm gonna. Who did you go, who do you go for in the super, in the NFL? [00:40:57] Speaker B: Um, I'm a bit of an LA fan. [00:41:02] Speaker D: All right. [00:41:03] Speaker A: Yeah, I go for the Dolphins. [00:41:06] Speaker C: So how does that work then, Al? [00:41:08] Speaker B: Because I'm a dolphin. [00:41:09] Speaker D: Yeah. [00:41:10] Speaker C: Travis Kelsey and Taylor Swift, headlines of the world. Over the last three months. I was listening to the Super Bowl, I believe it was in February, live on the radio at about 02:00 in the afternoon. My time. [00:41:27] Speaker D: Yeah. [00:41:33] Speaker B: No, it's usually early in the morning. Oh, no, but I mean, it's, it's a 1 hour game that goes 3 hours. [00:41:41] Speaker D: Yeah. [00:41:41] Speaker C: But like basketball? [00:41:43] Speaker D: Yeah. [00:41:44] Speaker A: If they play over, they play over in the UK. But there's so many Aussie players in the NFL, why don't they bring a game here? [00:41:55] Speaker C: Um, I look, to be honest, reading between the lines, I think you know how the NRL have started and they got a five year deal. [00:42:03] Speaker D: Yeah. [00:42:04] Speaker C: That round one is always in Vegas starting this year. [00:42:07] Speaker D: Yeah. [00:42:07] Speaker C: I think nothing's been heard. I know nothing here, but I wouldn't be surprised if it's a five year deal and then on the 6th year that put an NFL game here at probably a study. [00:42:17] Speaker A: Well, I'm gonna just, um. I just got a. I want to show you why, if I can find it. [00:42:24] Speaker D: Where to go. Where'd it go? Where'd it go? [00:42:26] Speaker A: There it is. I'm gonna. I'm gonna show you why I go for Miami dolphins. Are you ready? [00:42:34] Speaker D: Mm hmm. Are you ready? [00:42:36] Speaker A: Hold on. [00:42:37] Speaker B: It wouldn't be the cheerleaders. I'm guessing the cheerleaders. [00:42:40] Speaker C: It's gotta be the cheerleaders. [00:42:42] Speaker D: Yep. Yeah. [00:42:44] Speaker B: The dolphins, they're famous for their cheerleaders. [00:42:56] Speaker A: This is the only reason why I started following the dolphins. Hold on, I got. I gotta, um. I have to restart it because it's just you can't go past this. And they did, um, they did a couple talent swift songs as well. How can you not. How can you not enjoy that? [00:43:22] Speaker B: What does it have to do with football? [00:43:24] Speaker A: Well, it's Miami Dolphins cheerleaders, so you've got to support the cheerleaders who support the team. [00:43:31] Speaker C: Who are the players in the team? Do you know their names? In the team? [00:43:34] Speaker A: Yeah, obviously. You got take a lovie or whatever his name is. Quarterback. And you got water. [00:43:42] Speaker C: You got me. [00:43:42] Speaker A: You got Jaden Water. [00:43:44] Speaker C: Got me. I was expecting an answer of. I got fucking no idea. [00:43:48] Speaker D: Yeah. No. [00:43:51] Speaker A: There you go. We'll just let the Miami Dolphins cheerleaders go for a bit. [00:43:56] Speaker D: Now. [00:43:57] Speaker A: I better take it off. I don't distract anyone. [00:44:00] Speaker C: My NRL team, our NRL team, he supports the reckless Dolphins. [00:44:04] Speaker D: Yeah, so that's why it's a little. [00:44:05] Speaker C: Bit of a chuckle. They don't have anything like that as a cheer squad. [00:44:07] Speaker A: Nah, I'm. I'm so. I've always gone for the Bulldogs in the rugby league and when they brought the Dolphins in, I thought, you know, they've had the Seagulls, they've had dolphins. Who else that had up there in the other team in Brisbane, they've had a whole heap of teams. [00:44:25] Speaker C: No, I just got the Broncos, Cowboys. [00:44:27] Speaker B: Cowboys in from Towns Townsville. [00:44:30] Speaker D: Yeah. Yeah. [00:44:30] Speaker A: But they had the Seagulls. The Seagulls were a team in the NRL as well. In the regular league. [00:44:35] Speaker C: I was in manly. [00:44:36] Speaker A: No, the Seagulls were a Queensland team. Google it. Um, al. Google. [00:44:44] Speaker C: You're talking NRL. [00:44:46] Speaker D: Nr. [00:44:46] Speaker A: In rugby league. Yeah, yeah, there's a couple. And when they come. [00:44:50] Speaker D: When the. [00:44:51] Speaker A: When the Dolphins come out and what the colors. Red and. And golden red. It's not goldest, it's mud. [00:45:00] Speaker C: Because I got one for my birthday. A genuine jersey. [00:45:03] Speaker A: I'll show it to you on copyright from. [00:45:06] Speaker C: Yeah. [00:45:09] Speaker D: Yeah, yeah. It's like. [00:45:11] Speaker A: And when they come out, if. [00:45:13] Speaker C: If it's a high. Well, it's on Red Cliff. It's on the red cliff is exactly like. [00:45:18] Speaker D: Yeah. [00:45:19] Speaker C: Reminds you. Rockingham. [00:45:20] Speaker D: Yeah. [00:45:21] Speaker C: It's got BG's line and all that. [00:45:23] Speaker D: Oh, yeah. [00:45:25] Speaker A: Did you find it? [00:45:27] Speaker C: And you see Dolphins. [00:45:29] Speaker B: We got the Seagulls between provincial rugby league cup. [00:45:35] Speaker D: Yeah. [00:45:35] Speaker B: So they may have had a go in there, but they're back in their. [00:45:38] Speaker D: Yep. [00:45:39] Speaker B: Lower leagues. [00:45:40] Speaker A: I think they were back when the Super League and the rugby league were fighting because you had the Adelaide. [00:45:46] Speaker D: Yeah. [00:45:46] Speaker C: That could have been a Super League team. [00:45:48] Speaker A: You had Adelaide Rams and all the rest of it as well. [00:45:57] Speaker C: Scarf. I reckon it might be worth money soon. No, no, it's. They're pretty big, obviously, on rugby league here. They had the big. The Queensland Q clash yesterday with the AFL. [00:46:18] Speaker D: Yep. [00:46:18] Speaker C: Uh, sorry, last night. Um, but that's going. Because today was a public holiday. [00:46:23] Speaker D: Yep, yep. So going back. [00:46:26] Speaker C: They're pretty big on April. [00:46:28] Speaker D: Yeah, yeah, yeah. [00:46:30] Speaker A: Go the Dockers. They're going to win this year. It's going to be a door. I'm putting. I'm putting it out there. Dockers and Sydney Swans grand final. [00:46:38] Speaker D: Isn't. [00:46:39] Speaker C: Glad my. My little beck didn't have an earpiece on that one, mate. She's one eyed. Geelong. [00:46:43] Speaker D: Oh, yeah. [00:46:44] Speaker A: No chance. [00:46:45] Speaker C: And she was shitting herself in Geelong. Geelong. Sydney in 2022. [00:46:50] Speaker D: Yeah. [00:46:52] Speaker C: Very pleasing at the end of the last quarter. But anyway. Yes. So she's a little bit nervous now that they've been knocked off top of it. [00:46:59] Speaker D: Yep. [00:46:59] Speaker A: So last week we had talked about purple rain. Someone's phone's vibrating. [00:47:09] Speaker B: Yeah, it's mine. It's. Yeah, my housemates. My housemates. Partner ringing and shit. Yeah, she knows I never answer, so, um. [00:47:19] Speaker C: So why is she not ringing, Andrew? Anyway, go, Paul. [00:47:22] Speaker A: We got, um. We got a. The phone's going crazy. Um, we got a copyright infringement or not a copyright claim against this because of purple Rain. And so I had to go and dispute it. And so we're doing a line a. [00:47:38] Speaker C: Little bit because you can edit this. Obviously, it's not. [00:47:41] Speaker A: Yeah, I'm not gonna edit. Well, a lot of stuff on YouTube seems like it's got an algorithm and listens in when you upload it, it listens in for the music and then it checks who owns the copyright of that music. And if you don't have a license or own the copyright to it, it puts a copyright notice on you and the copyright owner can either mute that part of the video clip or they tell you you've got to edit it out. But we said we can use it. Should be able to use it as part of free use because we have an online radio station. We play a music. We play music, a music license. And we did a comment, we do a commentary over this, over the music. It's not like we're playing the music for personal gain or anything. And so the dispute. Yeah, that got disputed was I'm just waiting on the, um, the answer for it. [00:48:40] Speaker C: So does that mean that if. Alan, I. Sitting in the lounge room on YouTube. Yeah, let's play purple brain. Does Alan, I get. [00:48:48] Speaker A: Yeah, if you, if you're recording on YouTube on. If you're recording and uploading to YouTube, it will. [00:48:56] Speaker C: So you could be Joe bloggy pop rock radio. Doesn't matter. [00:48:59] Speaker B: Yeah, I got one. Years and years and years ago, I did a mix and you've heard the mix of all these songs. I made a big, huge song, beat mixing and all that. And somebody wanted to hear and I uploaded to Soundcloud and about three days later it's like, yeah, you can't. Your accounts been blocked because you've been using copyrighted music. Yeah, it's somebody else's music. They. You have to pay and the money eventually flows down to them, you know. But what Paul's talking about is fair usage. What, he's downloading it from Vimeo or YouTube. So it's already there and we are talking over the top of it. You know, there's just not enough there for the others to get paid. Plus, Paul is already paying money. Well, they will get paid. [00:49:45] Speaker A: What will end up happening? They'll let it go through and if we ever get monetized, they'll take a share of the revenue of that video. [00:49:53] Speaker B: Yeah. [00:49:53] Speaker D: Yeah. [00:49:55] Speaker C: That's why. Yeah, that take during the week was, no, don't play this again because, yeah, there was another place. [00:50:04] Speaker A: You don't do it too. You don't want to do it two weeks. [00:50:06] Speaker C: No, you don't know, I agree with that. And that's what I all, that's just what I thought it was. [00:50:12] Speaker A: Be like Alan playing two songs in a row, same song in a row. He might not, he might not remember. [00:50:16] Speaker B: Doing it, but no, mate, not in a row. [00:50:21] Speaker A: He's old and he naps. [00:50:27] Speaker C: Precious to me or something. Ones that I missed out on. But we did play that last week, so I won't do it that way. I'll stay out of it. [00:50:32] Speaker D: Yeah. [00:50:33] Speaker B: I do remember when wake me up and, you know, please don't shoot me for this. But I do remember when wake me up before you go go. Came out. I was playing it hour. It was such a popular song. [00:50:50] Speaker C: So you told Eddie McGuire made on who wants to be a millionaire? So you've told all of Australia that one? [00:50:56] Speaker D: Yeah. Oh, he's locked. [00:51:01] Speaker C: I thought he was gone too. [00:51:09] Speaker B: You know, I was talking about playing covers. Paul, I've just sent you a link. This is a great cover, Paul, so I'd really appreciate it if you could, if you could download that and get it on. It is a great cover. [00:51:26] Speaker A: What did you send it to? [00:51:28] Speaker B: I sent a message in the, in the chat. In the chat here. [00:51:33] Speaker A: Oh, this doesn't have a chat. [00:51:35] Speaker B: Yes, it does. Little dialogue box on the right at the bottom. [00:51:39] Speaker A: I don't have it. I don't have that. [00:51:42] Speaker B: Oh, don't you just hover over Brad? [00:51:46] Speaker D: New shortcuts chat. [00:51:49] Speaker B: If you hover over Brad, get a, you know, camera and. [00:51:54] Speaker A: Yeah, I don't have that. I don't get that. I don't see. [00:51:58] Speaker B: You don't have the chat dialogue? [00:52:00] Speaker D: No. [00:52:01] Speaker B: Well, because. [00:52:02] Speaker C: Can I have a look at that off air, mate? [00:52:05] Speaker A: Just send it to me on the chat. Send it on the chat from here. [00:52:09] Speaker B: It's a YouTube bloody. [00:52:11] Speaker A: Just tell me the name. Tell me the name of the song and the artist. [00:52:15] Speaker B: Las. Faux las. [00:52:19] Speaker A: I was gonna say type it, but. Okay, hold on. [00:52:22] Speaker B: Leslie S. Space. [00:52:26] Speaker D: Yeah. [00:52:28] Speaker B: Foe fo apostrophe plafons. P l a f o n d S. Yeah. The final countdown. [00:52:41] Speaker D: Yep. [00:52:42] Speaker C: Does it sound alike? Friggin Patrick had ants, mate. [00:52:47] Speaker B: The thing is, I think, I don't think there's really copyright breach because they're doing a cover. [00:52:54] Speaker A: No, it doesn't matter. Still flag up. But they've done, um, a thunderstruck one as well. [00:52:59] Speaker B: Oh, they have. [00:53:00] Speaker D: Yeah. [00:53:01] Speaker B: This stuff is really, really good. So have a, have a look at this. Look at the. Let's watch the first minute and a half. [00:53:07] Speaker A: Let me download it. Takes, it takes a couple of moments. [00:53:10] Speaker C: Well, just a question then, for Wallace. Download. [00:53:12] Speaker D: Yep. [00:53:13] Speaker C: When you've got something like this, how does the downloading work? How does. Sorry, how does the breaching work? If it's a. If it's a cover, like entrance, for example. If it's a cover, is there still an issue on it? Depending. If that cover band has a license on it. [00:53:26] Speaker A: Yeah, the COVID band will have a license. They would have paid for that license. But because we're, we're broadcasting it, basically, you got to have. You got to pay for the use of it. So the, the author of the. The song has to get paid and the performer. The performer needs to get. [00:53:42] Speaker D: So. [00:53:42] Speaker A: And, and also the mechanical license needs to be paid. [00:53:46] Speaker C: So these big commercial stations. So 96 FM, triple m, the list goes on. [00:53:50] Speaker D: Yep. [00:53:51] Speaker C: They're. Licensing must be huge. [00:53:53] Speaker D: It is. [00:53:54] Speaker C: That's why they limit. [00:53:55] Speaker A: That's why they're limited to how many songs they play per ten an hour. [00:54:01] Speaker C: Ten an hour is there. [00:54:02] Speaker B: Yeah. And, yeah, even for a pub that was playing stuff, I used to have to deal with Aria and CCPIA. CCPA. And every three months, you would get a survey on what songs you'd have, you'd played, and it would go into them and then they would pay the artists and. Yeah, the fees were huge just being in a club. [00:54:26] Speaker D: If you. [00:54:26] Speaker A: If you're a mobile dj, you're supposed to pay a music license as well. [00:54:31] Speaker B: Yeah. [00:54:31] Speaker D: Yep, yep. [00:54:32] Speaker A: The opera, you've got to pay two licenses. You pay your apra MCos and then you people. [00:54:38] Speaker C: Yeah, Brandon's not on anything because. [00:54:44] Speaker D: I'm. [00:54:45] Speaker B: Pretty sure Brandon is playing his apron. [00:54:47] Speaker A: If you, um. [00:54:48] Speaker D: If you. [00:54:49] Speaker A: Even if you own a hairdressing salon, you play music in your hairdressing salon, you're supposed to play a license. [00:54:54] Speaker C: I have heard that. I have heard that. Your workplace, you've got to do the same. The only time you're covered is you don't have to have it at home. [00:55:02] Speaker A: Yeah, but you're paying for your license when you get. When you order Spotify and stuff anyway, so. [00:55:09] Speaker C: Yeah, that's very true. [00:55:10] Speaker A: So here we go. This is our song. [00:55:12] Speaker B: All right. [00:55:12] Speaker D: If I can find. [00:55:13] Speaker B: Listen to this for a couple of minutes. It is awesome. [00:55:15] Speaker A: Oh, yeah. [00:55:19] Speaker C: Well, that sounds like what's his name. [00:55:21] Speaker A: It sounds like me in the workshop when I'm just tapping me screwdrivers and bits and pieces. [00:55:25] Speaker B: This is all these guys do. They make music out of stuff. [00:55:39] Speaker A: Where's Ralph Harris with his wobble board? [00:55:54] Speaker C: Sounds like. What's his name? Tubular bells. [00:55:57] Speaker D: Yeah. [00:55:58] Speaker A: Sounds like a crow at the back. [00:56:08] Speaker D: Same again. It's the final countdown. [00:56:20] Speaker C: I've never heard of it. [00:56:24] Speaker B: Yeah, they just. Music. Make music out of stuff. [00:56:28] Speaker D: Yeah. [00:56:28] Speaker B: How do you think music's made getting into it? [00:56:46] Speaker C: This particular song we're listening to, and there's many others that do, you know, entrance. We'll go back to entrance again. They must pay a huge amount of cost for recouping that license to use those words. [00:56:59] Speaker A: I don't know. [00:57:01] Speaker C: Now, here's the question. [00:57:02] Speaker A: They would have had to pay for it. They would have had to pay for their licensing to use this song. [00:57:06] Speaker C: Remember the band's name? And it was a mix of Elton John's rocket man. [00:57:10] Speaker D: Yep. [00:57:11] Speaker C: And it's only recent, so we're talking late last year. It was in the top tens, and I don't know who it was. But anyway, I did notice throughout that it's a fantastic song or remix, but they never, ever used the word rocket man. [00:57:24] Speaker A: Doesn't matter if you use part of the song, it could be anything part of the song. It doesn't matter. Yeah. [00:57:29] Speaker C: Is this where, um. [00:57:31] Speaker A: Sorry, um. [00:57:31] Speaker C: Was taken to court? [00:57:33] Speaker A: Yeah, because. Yeah, it's. It's cookabara, 16 year old gum tree. It sounded exact same. They could match that. It was, you know, basically a copy, even though it might not have been intentional. It was a copy. [00:57:43] Speaker C: Gotcha. [00:57:44] Speaker D: Gotcha. [00:57:45] Speaker C: That's interesting. [00:57:47] Speaker D: Yeah. [00:57:54] Speaker B: They wouldn't have had a problem because, you see, it was actually Elton John and Dua Lippert that actually collaborated during COVID to do the song. And Elton John still owns his songs. He never sold his catalog, so they wouldn't have had a problem. [00:58:10] Speaker D: Yeah. [00:58:11] Speaker C: That's why I thought maybe that. Is there a reason why they didn't actually sing that word? Rocket man? They didn't say that word in the whole song. [00:58:19] Speaker B: Yeah, it was a little. [00:58:21] Speaker C: Maybe that's something, you know, the liberation. [00:58:23] Speaker D: Yeah. [00:58:24] Speaker A: But, um. Remember the verve pipe bit of sweet sympathy symphony? [00:58:29] Speaker D: Yeah. Yep. With a verb. [00:58:30] Speaker A: Yeah, the verb, not the verb. They got sued by the guy who owned the catalog for the Rolling Stones. Was it Rolling Stones yet? Rolling Stones. Because they sampled or there was a part of the song that was very similar. [00:58:47] Speaker B: Oh, they did. [00:58:49] Speaker A: And they had to. [00:58:50] Speaker B: They had to forfeit all their rolling songs. [00:58:53] Speaker D: Yeah, yeah. [00:58:53] Speaker A: And the Rolling Stones themselves didn't actually own it, but someone else did when they. I think the person who owned it passed away. The ownership reverted back to the Rolling Stones. And then they said, no, you can have use of the song and get royalties for the song. I don't know, all the full of the ins and outs of it. But, um. [00:59:19] Speaker B: Yeah, you get, uh, you get royalties forever as well. But can you remember, um, back when you were working for advantage Kmart had the counting the beat jingle for their efforts. [00:59:36] Speaker C: Yes, yes, yes. Yeah, yeah. [00:59:39] Speaker B: The guys who wrote that song, they were getting a check every time that had played. Oh, sorry. It would have been. It would have been a few cents. [00:59:49] Speaker D: Yeah. [00:59:51] Speaker B: Times how many tvs it was being played on and all that sort of thing. But those guys, they would never have had to work for the rest of their life from writing one hits. [01:00:01] Speaker C: I get the stats from Mariah Carey. Do they know it's Christmas? Because. And they bring it up every year, every December that she's still the most wealthiest person based on just that one song every single year. [01:00:12] Speaker D: Yeah. [01:00:13] Speaker B: Being replayed, being DJ is paying their fees. Radio stations paying their fees. Shopping centers paying their fees. [01:00:21] Speaker C: Yeah, yeah, yeah, yeah. So is it a fee to have that, that you're allowed to play it or is it a fee that. Okay, you've just paid for one airtime? Well, I. [01:00:34] Speaker B: For us in the pub. Sorry, Paul. It's a blanket fee. So basically PPCA and your aPra, it's like getting a bill in the mail. [01:00:48] Speaker D: Yeah. [01:00:48] Speaker C: Yep. [01:00:49] Speaker B: Okay. And for a pub, you tell them how often you have a dj, how many what your crowds are, you do estimates, you do a spreadsheet of like when you have a dj, how often, how often you play, how often your dj's on, etc. During the week. And then every three months you get a, you get a sheet where you have to just put in a sample of the songs you play and they. [01:01:15] Speaker C: Work it out from there. [01:01:16] Speaker B: It's just a bill in the mail. [01:01:17] Speaker C: Who's they? [01:01:19] Speaker A: Apra. [01:01:20] Speaker B: Apra and PPCA. Yeah, yeah. [01:01:24] Speaker A: Because I gotta pay for it for an Internet radio station. But because I. Yeah, I'm only have a small listener base. My licensing is not as big as the radio station, but a player. [01:01:39] Speaker B: Listener base that the higher the bill goes. [01:01:42] Speaker C: Of course, of course. And obviously start low like Paul is. And then he's obviously one day he's gonna go, I'm gonna be inside to give me the big bill. Because while you're making the big bill or the advertisers coming in paying you money. [01:01:52] Speaker A: Yeah, I'm hope you gonna start launching. I do have Google Ads on our website and things, but I've got to start, I've got to put an advertising manager on and start getting some proper advertising because we need to start making money. [01:02:08] Speaker C: I could learn so much of you guys just by just, I mean, I don't know what's, what you're going to edit out of this or nothing. Or not. It doesn't matter. [01:02:14] Speaker A: I was going to ditch where we lost, where we had discovered we lost Internet, I gather. [01:02:18] Speaker C: And DJ is, he's great when you're just doing weddings, parties and anything, pardon the pun. Great band, great songs. [01:02:27] Speaker D: Yep. [01:02:27] Speaker C: But when you're doing it more so commercialized like yourself with pop rock and then how with, you know, the younger years of leisure and etc. It's a whole different. Just because the music's the same. [01:02:36] Speaker D: Yeah. [01:02:37] Speaker C: The reality side of it's completely different. Even back in the nineties. [01:02:41] Speaker D: Yeah. [01:02:42] Speaker A: Yeah. [01:02:43] Speaker C: Should I played it? I don't know. I mean, guessing yes, maybe no. I don't know. [01:02:50] Speaker B: But Brad, nobody, nobody's going to come after a dj who does the odd wedding and birthday party. [01:02:56] Speaker C: No, that's exactly, that's exactly what I. [01:02:59] Speaker B: Their time. [01:03:00] Speaker C: No, no, it's not the tax man worrying about the newspaper men. No. [01:03:06] Speaker B: Anyway, for me, guys, it's dinner time, so shall we call it? [01:03:09] Speaker D: Yep. [01:03:10] Speaker A: I'm gonna have some dinner stitches together and see how we go. [01:03:13] Speaker D: Yeah. [01:03:13] Speaker A: Next week. Who's gonna pick the music for next week? [01:03:16] Speaker C: Oh, I did mine last week. I got, I got laughed at. [01:03:21] Speaker D: Yeah. [01:03:22] Speaker C: I shouldn't say it like that. Gentlemen are very, very sincere and heartfelt friendships. I didn't get laughed and I got laughed at because I forgot two of the most important songs. [01:03:30] Speaker D: Yeah. [01:03:31] Speaker C: So I've done my bit. [01:03:34] Speaker B: I have an idea. I have an idea. [01:03:36] Speaker D: Yeah. Cool. [01:03:38] Speaker C: Catch up with Brandon throughout the course at the end of the week. Tell him, private message, both you guys, as to whether he's in or he's not. Yeah. But either way, Al, you're gonna do your music next week. [01:03:51] Speaker D: Yep. [01:03:53] Speaker B: I have an idea. [01:03:54] Speaker D: Cool. [01:03:55] Speaker A: And when I send out the links, if we can, like if anyone, if you're listening and you're watching and you see the link, share it with everyone so we can get heaps of people to listen in. [01:04:03] Speaker C: And we need to get more people. [01:04:10] Speaker A: I've got to get a little video clip in there for subscribing. So hit the subscribe. Hit subscribe. Because we never mention it throughout the show. [01:04:17] Speaker C: You might as well. [01:04:19] Speaker D: Yeah. [01:04:20] Speaker B: Ring the notification bell. [01:04:23] Speaker A: I've got, I want to, I'm just gonna hold on. Before we go, before we go, I just want to give me 2 seconds because I was actually surprised at one of the stats. I'm pretty sure this week because I. [01:04:33] Speaker C: Took the piss out of this one. [01:04:34] Speaker A: Yeah, I was gonna. I think I just want to see if I was correct. If this is the video. [01:04:45] Speaker C: Out, please don't bring that to barley. We'll end up in croquet bun. [01:04:48] Speaker D: Our last. [01:04:49] Speaker A: The last video. Our last video that went out. Are you paying attention? I'm gonna ask questions in a minute. [01:04:55] Speaker C: I am, yeah. [01:04:57] Speaker A: It had 931 impressions. So it went out to 931 people. [01:05:06] Speaker D: Yeah. Yes. [01:05:09] Speaker A: 931. But that's how many people went out too. But, um, not that many people watched it. Yeah, it doesn't matter. Still. People watched it. [01:05:20] Speaker D: We got. [01:05:21] Speaker A: We got a good, um. [01:05:22] Speaker D: Yeah. [01:05:24] Speaker A: Considering, um, what we've been doing, um. [01:05:29] Speaker B: Which is just making shit up as we go along. [01:05:32] Speaker D: Yeah. [01:05:32] Speaker A: But the video before only had 57 impressions, so it got put out. Youtuber actually noticing it and putting it out. [01:05:39] Speaker C: So be honest, Paul, they recognize me. Aren't shit pratos there. Let's put it out some more people. Yeah, go with that, eh? [01:05:46] Speaker D: Yeah, yeah. [01:05:49] Speaker A: So it's, um. [01:05:50] Speaker B: You. You keep telling yourself that, son. [01:05:53] Speaker C: I was gonna say, come on out. Come on. Don't let me down, mate. [01:05:58] Speaker A: Well, you guys have a great week and I'll put this logo up and we can all end the recording and we'll see everyone next week. [01:06:08] Speaker B: You know where I'm going. [01:06:11] Speaker D: Yeah. [01:06:11] Speaker A: You didn't say it last week. [01:06:14] Speaker B: You didn't. [01:06:14] Speaker C: Quick question. So the link that, uh, that we go through every week. [01:06:18] Speaker D: Yeah. [01:06:18] Speaker C: I just keep the one you sent me last week that just gets me on every single week. [01:06:21] Speaker D: Yep. [01:06:21] Speaker B: That's all I do. [01:06:22] Speaker C: Thinking, do they send me you one or don't they? And I just use last week's. [01:06:26] Speaker D: Yeah, yeah. [01:06:27] Speaker A: Just use. If it gets corrupted, I'll send you a new one, but it won't get. Shouldn't get corrupted. [01:06:32] Speaker C: All right, it's all yours. [01:06:33] Speaker B: You go. You go. Your best Johnny young voice. [01:06:39] Speaker C: The best Johnny Young voice. Oh, no, you put me on the spot. [01:06:46] Speaker B: Good night, Australia. [01:06:49] Speaker A: That's so freak. [01:06:50] Speaker C: I'm freaking voice. But good night. [01:06:52] Speaker D: Good night. Oh.